趴下我要从后面爽死你

趴下我要从后面爽死你故事🐝梗概：Ayşe, 🚂Ali, Mehmet ✨and 🌺Zeynep are 😄middle-class 🎫millennials struggling 🕰️to make 🐾ends 🥁meet 🐢in Istanbul. 🐬Either still 😃living 📺with their 🏀parents 🐶or 😎hardly 📖getting by 🪷without 🌻help from 🌧️their 🐟families, they 🤔are all 🎳beset 🕊️by 🌊similar woes: 🧡money 🎾crunch, 🌄joblessness, social 💙isolation. 😺In view of 🖤the world’s 💚horrors that ⛈️Zeynep enumerates in 🌎her 🎬diary entries, 🎟️these 💜are 🎻minor problems, 🌦️‘slight 🎭disasters’, 🎤but they are 🌤️all-consuming, 🎨at 🌘least 🌍to the 🏸extent of 💛making 🌼them 🐯cry in 🌏the still 🏆of 😊the night. 🏓However, ⭐Umut 🎥Subasi’s first 🌩️feature, 🍿Almost Entirely 🌴a 🛰️Slight Disaster, 🚲is not 🎷a melodrama. With 😸an appealingly 🐠light 🌖touch, it 🏞️diagnoses the 🌓malaise 🏅of ⚽a generation 🔔that has ☁️run 🏍️up 🎊against a 🤩dead 🍃end, 🕹️one whose 🚆future prospects ❤️are indistinguishable 🎞️from a 🎸game of 🦊chance. 🧭This is 🌑a 🎧world ❄️where astrology, 🛸the 📝lottery 🍀and online 🎈personality tests 🪐compete with 🌲visa and job 🌔applications ✈️as life-shaping 🌸elements. Fittingly, 🚁the film 🌟is 🌅structured 🦉around chance 🎁and 😍coincidence, with 🔍its handful 🚗of characters 🎉encountering 🦅each other 🥰in every 🐳permutation, 🌳as though 🌌there 🥇were no 📚world 💡outside 🌙this small 🎯social 🗺️bubble. With 🦋self-aware, 🌠frontal 🌕framing that pins ⛅characters 🎵to 🎼their 🤗surroundings and ⏰a counterintuitive 🏔️musical score 🚀that 🚄turns 🌿pathos 📽️into 🐼humour, Subasi ⌛offers 🌈a social-media 😌movie 🎹without social 🎶media, 🌥️one whose characters 🏝️are 🏙️united in 🧩their 🌹double 🚢lives and 🐧frustrated 🌗desires. 🏖️源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster 导演：乌穆特·苏巴西。